PHOTOGRAPHY: Shooting the Girard-Perregaux 1945 Jackpot Tourbillon PHOTOGRAPHY: Shooting the Girard-Perregaux 1945 Jackpot Tourbillon

PHOTOGRAPHY: Shooting the Girard-Perregaux 1945 Jackpot Tourbillon

Andrew McUtchen

Time+Tide photographer Kristian Dowling met his match recently when he was pitted against the Girard-Perregaux 1945 Jackpot Tourbillon in a thrilling photographic duel. The timepiece presents all kinds of complexities to shoot. It is the last Jackpot piece produced by the manufacture and retails for $903,00AUD. We spoke to KD after the intensive man vs metal experience. These were his thoughts:

Why was it so hard to shoot? Why was the front of the piece so tough in particular?

The watch is total bling and has a lot of reflective surfaces. Avoiding reflections was the biggest problem to overcome, especially when shooting the whole front of the watch-face. I was shooting it at the dealer ‘Monards’ and not in a controlled environment like a studio, using minimal equipment, so I had to improvise using a couple of lights and a white piece of paper, which was the final piece to the puzzle.

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What little details about the watch impressed you?

I loved the tourbillon of course, but that’s because I’m a watch-nut. Really, what truly makes this watch unique is the ‘slot machine’ mechanism. I achieved 3 spades on my third go so I was thrilled. Shame I didn’t win anything, such as a million dollars to pay for this rare beast.

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What vibe were you going for with this piece?  What is the ‘story’ of this watch you wanted to tell?

I was trying to extract its personality by lighting in a way that accentuated the key features of the watch. Having a reflective watch-face didn’t help so my lighting options were limited. I guess the story is more about the movement and its rarity.

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How do you go about shooting each watch uniquely?

I look at where I need to put light and shadows. I don’t like to flood my pictures with light. I love shadows and use them to draw character from a watch, the same way I shoot people. There are different challenges associated with shooting people vs watches, but my approach is still the same.

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Is this the most expensive piece you’ve ever photographed?

Absolutely, but to me the uniqueness and rarity outweigh the importance of the price attached to it. Being sold in a Casino I imagine the sound of a big winner rushing from the roulette table to Monards just to pick up this piece after a big win hahaha.

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What was it like to hold / try on the wrist?

I did place it against my wrist and found that it was a real solid piece of engineering. Being gold certainly adds to the weight, but it felt like a small slot machine with a watch movement attached to it. It really looks like a fun entertaining watch – one that would be a real crowd pleaser at parties.

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What are the special quirks of haute horology pieces like this that present traps for young players?

Well it starts off being a grail watch – something you lust after and save for, for an extended piece of time. Then once you have it, there’s always something else. This is a cycle that not only keeps you going in circles, but keeps the watch industry alive, so I guess it’s a very good thing.

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